top of page
Control Room
Microphone selection
Guitar amplifiers
DIMENSIONS:
Control Room  10H x 15W x 11D
Live Room   12.5H x 18W x 24D

CONSOLE:
SSL 4064 E/G with Total Recall

ANALOG/DIGITAL RECORDING:
Studer A827 Two Inch 24 track (see the movie Sound City)
ProTools HDX 12 with (3) 192 I/O (24 INS, 32 OUTS) on an iMac 5k 4.2 GHz i7 processor

32 GB Ram, Radion Pro 580 video card

8 GB video ram

Avid HDX 1
Crane Song HEDD 192

MONITORS:
Adam S3-A with Sub
Yamaha NS10M

MIC PREAMPS:
(2) Brent Averill Neve 1272
(2) Brent Averill Neve 3405
Focusrite ISA 110 (Mic Pre, EQ)
TubeTech MEC 1A (Mic Pre, EQ, Compressor)
(3) API 512b
(2) API 512c
(2) API 312
(1) API 550b EQ
(2) Great River MP-2NV
(2) Universal Audio 610 Tube Preamps
(1) Daking Mic Pre 500

COMPRESSORS:
(2) Empirical Labs EL8 Distressor
(2) Empirical Labs EL8 Distressor with British Mod
(4) SPL Transient Designer
(1) Summit TLA Tube Leveling Amp
(1) Universal Audio LA2A
(1) Universal Audio 1176

EFFECTS:
Lexicon 480L
TC Electronics 2290 Digital Delay
Eventide H3000S
Sony R7 Digital Reverb

Mics

 

1 AKG 414
2 Audio Technica 4041
1 Audio Technica 4060 Tube
1 Audio Technica ATM25
1 Beyer Dynamic M88
1 EV RE20
2 Earthworks TC30
1 Neumann U87 Ai
2 Neumann KM184
1 Royer R121 
3 Sennheiser 421
1 Shure Beta 52
1 Shure Beta 57A
1 Shure Beta 58
2 Shure 57

 

Guitars, Amps and more...

 

SONOR Designer Kit in Scandinavian Birch
Fender Tone Master Amplifier
Blackface Fender Princeton
Marshall JCM2000 100 watt
Marshall JCM800 50 watt
Marshall 4x10 Cabinet
Ampeg B-15N Bass Amplifier
1980 Gibson Les Paul Custom
Martin Acoustic Guitar
1978 Fender Precision Bass
Hammond M3 w/Leslie speaker


 

bottom of page